Royer R-122 MKII

The R-122 MKII uses active electronics to provide a higher output level and a consistent impedance, which makes it much easier to pair with standard microphone preamps compared to traditional passive ribbon mics.

A matched pair ensures that both microphones have identical sensitivity and frequency response characteristics. This is essential for achieving a balanced, accurate stereo image when recording drum overheads, acoustic guitars, or ensembles.

The offset-ribbon design positions the ribbon element toward the front of the microphone body. This allows for higher SPL handling on the front side and provides more sonic flexibility when recording loud sound sources.

Yes, the R-122 MKII is built to handle both studio and live environments. Its durable ribbon element is designed to be unaffected by heat or humidity, and the active electronics help maintain signal integrity over long cable runs.

Use the -15 dB pad when recording very loud sources, like guitar cabinets or brass, to prevent clipping your preamp. The 100 Hz high-pass filter is useful for cleaning up low-end rumble or proximity effect when you need a tighter, more focused sound.

The R-122 MKII features a figure-8 polar pattern, meaning it captures sound equally from the front and back while rejecting sound from the sides. This is ideal for capturing natural room ambiance or recording two sources facing each other.