Chandler Limited EMI Abbey Road Studios TG Microphone Type L
Best versatile condenser for studio engineers seeking iconic vintage tonal flexibility.
Experience the iconic sound of Abbey Road Studios with the Chandler Limited EMI TG Microphone Type L. This large-diaphragm FET condenser microphone is a faithful recreation of legendary studio gear, offering a unique Dual Tone System. Choose between two distinct voicings: 'A' for a rich, mid-forward character, or 'B' for a pristine, ribbon-like quality. Engineered to handle both sensitive sources and high SPLs, it's a versatile workhorse for demanding recording environments. The package includes the microphone, a swivel mount, and a protective bamboo storage case, ensuring its longevity.
$799.00
Owner Satisfaction
4.8
/ 5
Category Rank
9
/ 1735
#9 in Microphones
Price vs Category Average
+57%
Above average
Tube or Solid State
Solid State
/ Solid State
Who it's for
- Producers chasing iconic vintage rock and pop textures
- Engineers recording diverse sources needing high SPL handling
- Studio owners prioritizing long-term reliability and premium build quality
Who should skip it
- Budget-conscious home recordists with limited gear funds
- Mobile engineers requiring quick, simple plug-and-play setups
- Recordists needing clinical, transparent, and uncolored signal capture
Performance breakdown
Sonic Versatility
Dual tone system provides two distinct, professional-grade studio characters.
SPL Handling
Robust circuitry manages loud sources without sacrificing signal integrity.
Build Quality
Premium construction ensures long-term reliability in demanding recording environments.
Ease of Integration
Standard phantom power and XLR connectivity simplify studio setup.
Vocal Character
Mid-forward voicing delivers the classic, rich Abbey Road studio aesthetic.
Transient Response
Large-diaphragm condenser captures fast, detailed transients with impressive clarity.
Key Specs
Tube or Solid State
Solid State
Transducer Type
Condenser
Polar Pattern
Cardioid
Output Impedance
200 ohms
Input Pad
-10 dB
Power Requirement
48 V phantom powered
Diaphragm Size
Large-diaphragm
Condition
New
Features
- Dual Tone System for two distinct sounds
- Mid-forward and harmonically rich voicing (System A)
- Pristine sound for high SPL sources (System B)
- Handles sensitive and loud sources
- Cardioid polar pattern for focused pickup
- Switchable 10 dB pad
- Powered by 48V phantom power
- Includes mount and storage case
What customers say
The Chandler Limited TG Microphone Type L is widely regarded as a premium investment justifying its cost through exceptional performance and build quality. Users consistently praise its robust, studio ready construction and its ability to authentically replicate the revered sound of the EMI TG console era. Sonically, it delivers a rich midrange and smooth highs, lending a distinct finished quality to vocals and instruments. Its vintage character remains highly versatile in modern production, offering unmatched depth and weight. Engineers agree that its sonic signature and historical accuracy make this microphone a foundational, reliable workhorse for demanding studio applications.
Know before you buy
System A provides a mid-forward, harmonically rich character ideal for vocals and instruments that need to cut through a mix. System B offers a cleaner, more pristine response with a ribbon-like quality, making it better suited for high-SPL sources like loud guitar cabinets or drums.
No, the TG Microphone Type L is a solid-state condenser that runs entirely on standard 48V phantom power provided by your audio interface or preamp.
Yes, it is designed to handle high sound pressure levels. It also features a switchable -10 dB pad, which helps prevent clipping when recording particularly loud instruments.
Absolutely. Because it uses standard XLR connectivity and phantom power, it integrates easily with any modern audio interface, making it a versatile choice for both professional and home recording environments.
It features a fixed cardioid polar pattern. This makes it excellent for isolating a specific sound source while rejecting unwanted noise from the sides and rear.
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