Audix
Audix FireBall Dynamic Microphone
Best durable microphone for live harmonica and vocal performances.
The Audix FIREBALL is an ultra-small, high-performance dynamic microphone specifically designed for harmonicas and beatboxing. It delivers clear, accurate sound reproduction and can handle sound pressure levels exceeding 140 dB without distortion, making it suitable for both live stage performances and studio recordings. The microphone features a smooth frequency response from 50 Hz to 16 kHz and a cardioid pickup pattern to minimize background noise and feedback. Its compact and lightweight design, coupled with a durable machined aluminum body, ensures comfort and longevity.
$159.00
Owner Satisfaction
4.6
/ 5
Category Rank
1186
/ 3337
#1186 in Microphones
Price vs Category Average
-69%
Below average
Transducer Type
Dynamic Moving Coil
/ Dynamic Moving Coil
Who it's for
- Live performers needing reliable feedback suppression in challenging acoustic spaces.
- Touring musicians and frequent performers requiring a robust, portable microphone.
Who should skip it
- Musicians seeking a versatile, all-purpose microphone for diverse recording needs.
- Performers and engineers preferring consistent tonal balance at varying distances.
- Studio professionals and artists prioritizing detailed, high-fidelity recordings.
Performance breakdown
SPL Handling
Handles extreme sound pressure levels without a hint of distortion.
Feedback Rejection
Cardioid pattern keeps unwanted stage noise out of your mix.
Ergonomic Design
Compact shape fits perfectly in the hand for harmonica players.
Build Durability
Machined aluminum body survives the rigors of constant touring.
Frequency Accuracy
Delivers crisp, natural reproduction across the entire vocal range.
Portability
Ultra-lightweight frame makes it an effortless addition to any gig bag.
Key Specs
Transducer Type
Dynamic Moving Coil
Frequency Response
50 Hz - 16 kHz
Polar Pattern
Cardioid
Output Impedance
150 ohms
Sensitivity
1.5 mV / Pa @ 1k
Maximum SPL
140 dB
Weight
128 g
Length
77.5 mm
Features
- Optimized for harmonica and beatboxing
- Handles high sound pressure levels without distortion
- Cardioid pickup pattern minimizes background noise
- Clear and accurate sound reproduction
- Durable machined aluminum body
- Ergonomic design for comfortable handling
- Exceptional gain before feedback
- Lightweight and compact for portability
What customers say
Customers consistently praise the Audix FireBall for its exceptional sound quality, particularly highlighting its clear and articulate reproduction for harmonica and vocals. Many appreciate its robust, durable construction, making it a reliable choice for live performances and frequent use. Users find it remarkably easy to set up and operate, often describing it as a plug and play solution that delivers professional results without complexity. Its comfortable design also contributes to a positive user experience, reinforcing its reputation as a high performing and user friendly microphone.
Know before you buy
While it is optimized for harmonica and beatboxing due to its high SPL handling and compact size, its cardioid pickup pattern and frequency response make it a capable choice for any high-volume sound source that requires a small, durable microphone.
No, the FireBall is engineered to handle sound pressure levels exceeding 140 dB. This allows you to perform at extreme volumes without worrying about signal distortion.
The volume control is designed for convenient level adjustments on the fly. It does not negatively impact the core audio performance or the frequency response of the microphone.
The cardioid pattern focuses on the sound source directly in front of the mic while rejecting noise from the sides and rear. This is particularly effective at minimizing feedback and isolating your performance from other instruments on stage.
Yes, the microphone features a rugged, machined aluminum body. It is built to withstand the rigors of touring and frequent handling while remaining lightweight.
The FireBall uses a standard 3-pin XLRM connector, so it plugs directly into any standard microphone preamp, mixer, or audio interface using a standard XLR cable.
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