Austrian Audio CC8 Stereo Set
Best professional stereo recording for demanding audio engineers.
The Austrian Audio CC8 Stereo Set is a matched pair of small-diaphragm condenser microphones designed for detailed stereo recording. Inspired by the legendary CK1 capsule, the OCC7 capsule features a robust gold-coated diaphragm and a precise cardioid polar pattern, minimizing background noise. These microphones offer a remarkably linear frequency response and can handle high sound pressure levels up to 156 dB without distortion, while maintaining a low self-noise of 16 dBA for exceptional dynamic range. Versatile for various acoustic instruments and ensembles, the CC8's compact size allows for easy placement in studios or on stage.
$499.00
Owner Satisfaction
4.7
/ 5
Category Rank
269
/ 3337
#269 in Microphones
Price vs Category Average
-2%
Below average
Primary Applications
Live Sound, Studio Recording
/ Live Sound, Studio Recording
Who it's for
- Recording engineers seeking transparent and precise instrument and ambient sound
- Producers and musicians recording acoustic instruments or drum overheads in stereo
- Studio owners and touring musicians needing dependable, long-lasting recording equipment
Who should skip it
- Aspiring home studio owners with limited budgets for professional-grade microphones
- Engineers requiring multi-pattern flexibility for diverse recording scenarios
- Novice engineers unfamiliar with critical microphone positioning techniques
Performance breakdown
Versatility
Switchable pads and filters adapt seamlessly to any recording environment or source.
Stereo Imaging Precision
Factory-matched pairs ensure phase-coherent captures for professional-grade stereo soundscapes.
SPL Handling
Handles extreme volume levels without distortion, perfect for loud percussion sources.
Transient Response
The gold-coated diaphragm captures lightning-fast attacks with remarkable clarity and detail.
Self-Noise Floor
Extremely quiet operation preserves the integrity of delicate acoustic instrument recordings.
Build Durability
Rugged metal construction stands up to the rigors of daily studio use.
Key Specs
Primary Applications
Live Sound, Studio Recording
Microphone Type
Stand/Boom Mount
Intended Sound Sources
Acoustic Guitar, Double Bass, Piano, Drums, Percussion, Cymbals, Overhead, Brass, Woodwinds, Strings
Sound Field
Mono
Element Type
Condenser
Polar Pattern
Cardioid
Orientation
End Address
Circuitry
Solid-State
Features
- Matched pair for stereo recording
- High-precision cardioid pattern
- Switchable pad (-10/-20 dB)
- Switchable high-pass filter (60/120 Hz)
- Transformerless design for classic sound
- Robust gold-coated diaphragm
- Durable metal construction
- Includes clips, windscreens, stereo bar, and case
What customers say
Customers consistently praise the exceptional sound quality of this stereo set, noting its clear, detailed, and natural reproduction, especially for acoustic instruments and overheads. Many highlight the robust build and reliable performance, affirming its professional grade construction. Users appreciate the consistent sonic character between the two microphones, making it an excellent choice for stereo recording applications. The overall consensus points to a premium product that delivers outstanding audio fidelity and durability, justifying its investment for serious audio professionals.
Know before you buy
The CC8 Stereo Set comes as a factory-matched pair, ensuring that both microphones have identical sensitivity and frequency response. This consistency is essential for creating a balanced, accurate stereo image when recording ensembles or acoustic instruments.
Yes, the CC8 is built to handle high sound pressure levels up to 156 dB without distortion. With the inclusion of switchable -10 dB and -20 dB pads, you can easily attenuate the signal to prevent clipping when recording particularly loud sources.
Yes, the CC8 is a condenser microphone that requires 48V phantom power to operate. You will need an audio interface, preamp, or mixer that provides this power via an XLR connection.
The switchable 60 Hz and 120 Hz high-pass filters allow you to roll off unwanted low-end rumble or proximity effect before the signal even hits your preamp. This is particularly useful for cleaning up recordings of acoustic guitars or overheads where low-frequency noise is not desired.
Inspired by the legendary CK1 capsule, the OCC7 features a gold-coated diaphragm that provides a highly linear frequency response. This design ensures that the microphones capture a natural, detailed sound with minimal coloration, making them versatile for a wide range of instruments.
Absolutely. Their durable metal construction and compact size make them robust enough for the rigors of touring, while their precise cardioid polar pattern effectively rejects off-axis noise in both studio and live environments.
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